A lively dialog has developed over at Michael Rosenblum’s blog about how the so called “Lower class” VJ paradigm equates to those who learned to read and write back in the 1700’s, and as a result, saw the upper crust aristocracy for what it truly was and made rightful changes to their society.
Rosenblum’s post was a typically combatative view of old school TV vs. the VJ army through a comparison with the Peasants revolt.
The printing press unleashed a revolution unforeseen by Gutenberg.
The ‘people’ were suddenly in control of information.
And those who had until then complete power over information did not like this at all.
Of course VJ is the Guttenberg and, from what I can make out, Rosenblum is possibly Menocchio? Modern TV is the church, broadcast camera people the bishops etc. etc. I lost the thread of it after a while.
I have been struggling to put my finger on what makes me uneasy about Rosenblum’s approach but this post clarified it for me.
A colleague of mine has a great saying – “ everything looks like a nail when you have a hammer” – and Rosenblum is packing a very big hammer which he is using to demolish (or so he would have it) the old monoliths of TV.
My problem is that he occasionally stops battering away at the TV stations and tries to use his hammer on web video. With all the typical zeal of an evangelist, he sees his way of working as the solution to everything – no questions asked.
I agree that it seems a pretty good solution to the lazy hegemony of the broadcasters (although no where near as radical or abhorrent to the mainstream as he would like to think). But we are talking about TV here. To try and apply it to anything else isnt helpful. Keep the hammer away from web video please.
But whilst Rosenblum is working hard to dismantle the edifice, other parts of the industry seem to be working towards rebuilding it.
Recent discussion on the Newspaper video list prompted Davin McHenry to post details of how the Bakersfield Californian is handling the throughput of video
Our system has evolved. At first we thought reporters were going to edit their own videos, but we ended up with issues of quality and efficiency. It just came down to the fact that a seasoned video editor could turn out a video in half the time and it usually would be more polished.
I’m not sure.
In broadcast journalism there used to be a very clear divide between the journalists, camera people and editors. Then the journalists started shooting and eventually editing their own stuff. The old school editors even got renamed ‘Craft Editors’ to differentiate between their work and the work of VJ’s (yes Video journalists – those things the mainstream media invented).
If you search hard, you will still find craft editors in newsrooms but they are, unfortunately, a dying breed. Blame technology, money, loads of reasons why. But those that are there are used sparingly and often in isolation – a reporter will drop footage off, they will cut it and then the reporter comes back and adds a vo. Not very creative and probably the reason we see so much generic stuff on TV news.
That’s not the craft editors fault. The system is forcing them and their skills out of the loop.
So when I here about the ‘production line approach’ it seems like we may be at risk of rebuilding that system in reverse.
I’m not saying that Davin’s approach will drag us back in to a TV structure. They produce some great content and, as he points out:
We still have a few reporters edit their own stuff, but it always gets a final proof by one of our video editors.
But I do think we need to work hard to keep the journalist in all stages of the loop. The technology and the fluid nature of the medium means we can do that. We can make new rules here. Journalist can do it all. They need space and training to do it. But they can. Otherwise we are just rebuilding the old TV way of doing things and missing out on an BIG opportunity.
Worse still we may be in danger of building something Rosenblum can legitmatley take his hammer in to.